A mother’s love has constantly surrounded your whole being.
It started nine months before you were born. Then she would carry you, as her newborn baby, around her gentle arms–bordered by her sweetest lullaby. You grew up. Your fragile body got sick a lot of times. You went to school. You met the world. And she was always there for you.
Then, her last breath came, and you wish you could have done more to love her back.
That was the theme of what I personally call a “masterpiece” performace of PAGCOR’s Corporate representatives in the recently concluded PAGCOR Musical 2010.
Our Stint
Last year was a tribute to Broadway musical, the PAGCOR Broadway Musical 2009. It was indeed a huge success, more so to us, having dubbed as champion for staging a 10-minute rendition of “Ms. Saigon.”
This year, I was equally fortunate to be part a group of office workers becoming amateur performing artists, once again. There were 13 representing branches of PAGCOR casinos, including its Corporate Office (which our group represented), competing to stage their grandest original-story musical, so far.
Our group staged a 13-minute musical entitled “Inay” (“Mother”) which was crafted by Ryan Cordeta, who was then an Assistant Manager. A discerning list of melancholic OPM songs were selected to season this heartwarming, tear-jerking play.
Being amateurs, we were simply decided to enjoy every minute of performance, but also pushing ourselves to craft it to the best of our abilities.
The Casts and Crews
In this kind of musical competition, the performing artists were also (most likely) the crews behind the stage. There were Ed, Gelo, Jhun, Archie, Fhunks, and I, to boast the male vocals and acting, and to carry props with our huge biceps. There were Jela, Lonix, Khaye, Ryah, Jonah, and Mitch, to highlight the best female tunes. And then there was our secret weapon to hopefully sweep other performances, our main actress and vocal, Rachelle, who played the role of the main character, Lea.
The Story and The Songs
Noni, in his forties, recounts his memories of his mother, Lea. He is holding a letter envelop he received from a province where he was born. That letter envelop is the triggering point for Noni to narrate the story of his mother.

He's holding a letter envelop. It triggers his most valuable memories--both vivid and dark--about his mother and her sacrifices for him.
To his recount, Lea was married to a lowly fisherman in a province. She would, before the dawn breaks, go to the coast to meet her loving husband. She was pregnant then. The most unfortunate event came when her husband was devoured by the sea and she was left alone.

"May ningning pa ang mga bituin, nagbangon na sila't handa nang salubungin, yaong mga mangingisdang nagpalaot sa magdamag. Katulad ng marami pang kabiyak, naroroon si Lea, naghihintay." (from the song, "Lea")
As a single parent, she took responsibilities that of both mother and father to Noni. The small nipa house was home to Noni, as his mother was both the foundation and the light.

"Iduyan mo ang duyan ko. Unti-unting itulak mo. At babalik sa isip ko, nang dati nang sa kandungan mo. Iduyan mo ang duyan ko. Unti-unting itulak mo at pakikinggan ang awit mo. Sa liwanang ng buwan, mahihimbing ako." (from the song, "Iduyan Mo")
Because of inevitable hardship, Lea sometimes would question the life God has given her.

"Dito ba ang daigdig ko ngayon? Bakit ibang-iba sa daigdig ko noon? Dito ba, kung saan naroroon ang hinahanap kong wala sa panahon? Dito ba ang sulok kong takda, sa ilalim ng araw?" (from the song, "Dito Ba?")
It seems the whole world is against her.

"Kung saan kay lalim ng luha, ligaya'y kay babaw. Dito ba ang sulok kong takda sa ilalim ng araw?" (from the song, "Dito Ba?")
She was strong at heart indeed as she would came back to her senses, knowing that her life was purposeful in joyfully caring for her son. Amidst hardships, Lea was hoping to set free her son to the bondage of poverty and lowliness.

"Uunahin kita anak, upang ika'y makapag-aral. At sa bawat layunin mo, karamay sa pagpapagal. Sa kandungan ng kapayapaan, sa landas ng pagkakapantay-pantay. Ihahanda ko ang daigdig sa masagana mong buhay." (from the song, "Uunahin Kita Anak")
And she did. She was able to send Noni to school, to a prestigious university in Manila. Years passed, and letters and mails were the only connection of Lea and her son Noni. A lot of things–in fact good things–happened to her son. She must’ve been very very proud of him.
But then, she always wanted him to come back and see him once again.

"Bawat patak man ng ulang masinsin ay lagyan ng talim. Ako ay sasayi. Di ko iindahin ang ulos at hiwa ng mumunting patalim. Ang iyong kalinga ay kanlungang matibay. Lilim nito ay langit na aking kanlungan. 'Pag ito'y natiklop, lalantahin ng araw, lulunurin ng unos ang marupok kong buhay. Aking hihintayin ang iyong pasabing, 'Nagbalik ka na, mahal.'" (from the song, "Nagbalik Ka Na, Mahal")
Noni stopped narrating as he came back to his senses that his purpose of going back home that day was the news (from that letter he’s holding) that her beloved mother Lea was too old and fragile to be vulnerable to sickness and inevitably, death.
He saw her not in her deathbed but in her lowly rocking chair, beside the rotten old baby craddle (duyan), where he, as once a baby, slept.
His heart was a churner of mix feelings the moment he saw his mother. He was grateful for the love her mother gave him. He was disheartened that he was helpless to fight the time.

"Kung ang lahat ay may katapusan, itong paglalakbay ay makakarating din sa paroroonan." (from the song, "Paglisan")
Her last breath came. He kissed her mother the last time.

"At sa iyong paglisan, ang tanging pabaon ko ay pagibig." (from the song, "Paglisan")
The air was filled with sorrow, yet Noni’s heart was filled with gratefulness knowing that her mother did, not the best things for him, but only the right ones.
How Noni only wished he could turn back time so that more of his love can be given to his loving mother, Lea.

"Iduyan mo ang duyan ko. Unti-unting itulak mo. At kung maaaring pihitin ang mundo pabalik, sana'y iduyan mo, ang duyan kong muli." (from the song, "Iduyan Mo")
The Winner Is…
We landed fourth on the judges’ tally due to the lack of Choreography. But we are so glad that we’re the highest in Musicality and Vocal Quality criteria. All the same, the fact that we enjoyed our performances, made us realize we are our own trophies.
To date, Rachelle is already bound to Middle East to work as a full-time nurse. Sir Ryan is transferred to another branch. The rest of us are just as workaholic as before.
Until a time came when we will be engaged in this kind of event again, we will cherish the moment we pulled together a masterpiece.
Thanks to…
Sir Dodjie for the tips and tricks in performing arts.
To everyone in the Corporate Office for that all-the-way support, specially, Sir Gino and Ma’am Majoy, and the rest of ”invisible” guys of GSD backstage.
And, to God for letting us performed that His glory shined on that stage, that night, and within us.
It was indeed a wonderful experience.
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